Arthur review – modern girl’s quest yields a good knight for all ages

Bucket Club's new production at Polka Theatre, 'Arthur', revives the King Arthur legend with a modern twist. The story centres on young Grace, who, while waiting in A&E with a Lego piece stuck up her nose and a hurt brother, meets Merlin. He weaves a tale of mysterious adventure, pulling Grace into an epic quest through enchanted forests and sparkling underwater realms. When Arthur finally pulls the sword from the stone in the closing scenes, gasps ripple through the enchanted young audience.

Playwright Marietta Kirkbride's contemporary take includes many smart jokes for parents and nods to today's political climate, depicting a sixth-century England without a king, struggling for a visionary leader. But children always come first, and the storytelling is brisk, bold, and full of heart.

The five-strong ensemble cast performs with flair without overdoing it, allowing gentle and moving moments to arise amid the silliness. Gurjot Dhaliwal's Grace is plucky and brave, complemented by Giles Carden's earnest Arthur. Rose Wardlaw's Merlin feels real and fallible despite the magical flourishes. Megan Vaughan-Thomas and Adam Mirsky are a comic double act, with their knights galloping about on two very silly horses a joy to behold.

Harry Blake's vibrant songs inject energy, while Rebecca Jane Wood's inventive set is simple but striking. Bright costumes and stunning puppets brim with character. Nel Crouch's light-touch direction allows freedom and fun while keeping things tight and clear. The play ends with a moving coda: Grace is back home happy with her brother, the two racing about their living room crafting costumes from whatever they have, as the myth of King Arthur ripples through yet another generation.