Tuesday, 21 July 2026
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CulturePublished: 21 July 2026 at 09:38

LensCulture Critics' Choice Awards 2026: Photography Showcases Diverse Narratives

The LensCulture Critics' Choice competition, open to all photographers with no theme restrictions, has selected 12 works that reflect the diversity of photography usage – from personal narratives to documentation and art.

Foto: The Guardian Culture

The LensCulture Critics' Choice competition for 2026 has announced its winners, showcasing a diverse array of photographic works from around the world. Open to photographers of all ages and experience levels, with no thematic restrictions, the competition attracted entries that demonstrate the many ways photography is used for self-expression, storytelling, capturing beauty, documenting events, and creating art. The gallery presents a selection of personal favorites chosen by the 19 photography experts on the jury.

Among the featured projects is "Along the River Lea" by Mattia Corato, which documents the urban nature and diverse community along London's River Lea, highlighting its role as a peaceful escape from city life. "Pictures with Janet" by Mark Fitton is an ongoing collaboration with his aunt Janet, a 51-year-old with Down's syndrome, aiming to normalize disability through creative practice. Adam Lin's "Sonder" explores Taiwanese and Asian masculinity within domestic spaces, contrasting with traditional male domains.

Several projects address political themes. "The Quiet Rise" by Ashkan Shabani examines the growing normalization of neo-Nazi and far-right extremism in Germany through images from demonstrations and gatherings between 2024 and 2025. "The Last Butterflies" by Valentina Sinis documents female Kurdish guerrillas from the PJAK party, who call themselves "the last butterflies" ready to sacrifice for freedom. "The Burning of Autumn" by Mehrdad Fathi uses a matchbox as a metaphor for human impact on nature, set against the backdrop of wildfires in Iran's Hyrcanian forests.

Other works include "Surprise Inside" by Walter Plotnick, using photographic collages to represent anticipation; "Resident Aliens" by Guanyu Xu, exploring immigrant experiences through installations; "Muted Ember" by Yue Sun, focusing on young people in a Chinese coal mining town transitioning to tourism; "Cry to the Angels" by Avery Norman, described by LensCulture editor Jim Casper as a story that rewards prolonged viewing; and "My Mother Doesn't Work" by Olga Steinepreis, a witty series critiquing the undervaluation of parental effort.

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